The Right Perspective In his book, The Vision and The Vow, Pete Greig tells of how a distinguished art critic was studying an exquisite painting by the Italian Renaissance master Filippino Lippi. He stood in London's National Gallery gazing at the fifteenth-century depiction of Mary holding the infant Jesus on her lap, with saints Dominic and Jerome kneeling nearby. But the painting troubled him. There could be no doubting Lippi's skill, his use of colour or composition. But the proportions of the picture seemed slightly wrong. The hills in the background seemed exaggerated, as if they might topple out of the frame at any minute onto the gallery's polished floor. The two kneeling saints looked awkward and uncomfortable. Art critic Robert Cumming was not the first to criticise Lippi's work for its poor perspective, but he may well be the last to do so, because at that moment he had a revelation. It suddenly occurred to him that the problem might be his. The painting
"The word is near you; it is in your mouth and in your heart, so you may obey it." Deut 30:14